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Issue 22: Mar/Apr 2005  
QUILTING COMMUNITY INTO MODERN ART
Featured Artist: Gee's Bend Quilters Collective
 
ART ACTIVITY ~ THE QUILTER'S CRAFT 
 
EXPLORING THE QUILTS OF GEE'S BEND
Links to discover more about this ground-breaking exhibition
 
Events
Join Phyllis May 7 for a Tuscan wine & cheese



  QUILTING COMMUNITY INTO MODERN ART
Featured Artist: Gee's Bend Quilters Collective
Did you know that the quilt was first designed as under cloths for armor? Warmth woven for warriors -- that's how this American folk art tradition began. We can trace quilt's history back to an ivory carving of a cloak worn by an Egyptian king in 35 BC. Bed quilts became popular as wedding gifts in 15th century Europe, and by 1785, the art of the quilt had traveled to the North American continent. But, interestingly, it was in the small rural community of Gee's Bend, Alabama, where the legacy of these diverse civilizations were stitched together in what The New York Times described as "some of the most miraculous works of modern art America has produced."

The Quilts of Gee's Bend have received tremendous international acclaim, beginning their national tour with an exhibition at the Museum of Fine Art in Houston in 2002, and concluding this winter at the High Museum of Art in Atlanta. Representing six generations of African American women, the 70 quilts on display represent the "first and only in-depth exploration of quilting from a single community." Bold and distinctive, the pieces of cloth that shape each quilt serve as powerful metaphors for the personal journeys of the Gee's Bend woman. Collectively sewn together, the pieces are integrated into a magnificent story of the cultural survival and the socialization process of an "Alabama Africa."

The journey of African American women, so eloquently written about by Alice Walker in The Color Purple and other works, reinforces the importance quilting played in the lives of women struggling to claim their identity. "Quilting creates a female bonding that restores the women to a sense of completeness and independence. Pieces of a quilt, like individuals in a pluralistic society, retain their identity while functioning as a part of something else." The "something else" Walker writes about is referred to as "gestalt "in psychological terms. In gestalt, we move beyond ourselves to be a part of something greater, and through relationship with others, we see ourselves more clearly and ultimately become more whole.

Each distinctive patch is essential to the whole, for without each piece something greater can never take form. Just look at what the women of Gee's Bend have created by piecing themselves into community: a national art tour with a new one planned for 2006; two companion books; one documentary video; a CD of gospel music; and a line of home products by Kathy Ireland Worldwide. Yet beyond the commercial success these women have created for themselves, might they be doing something even more important by quilting new life back into their dying community? Could the home of their ancestors, and a people struggling to survive, be restored by the female bond of 40 black women? I believe it can, if we choose to quilt ourselves into their purposeful work.

Please view their beauty and buy their warmth at www.quiltsofgeesbend.com.

 
ART ACTIVITY ~ THE QUILTER'S CRAFT
I've never made a quilt in my life - but members of the National Quilting Association, Inc. have. They have an extensive list of community chapters and educational programs to help you get started or hone your craft. For more information, visit www.nqaquilts.org.

 
 EXPLORING THE QUILTS OF GEE'S BEND
Visit www.quiltsofgeesbend.com to experience the Gee's Bend Quilters Collective and http://www.auburn.edu/academic/other/geesbend/ to gain a rich, contextual history of The Quilts of Gees Bend through a mutlidisciplinary and multicultural project hosted by Auburn University.

The Quilts of Gee's Bend are currently on display at The Memphis Brooks Museum of Art through May 8. Visit www.brooksmuseum.org for additional information. The exhibitions travels to Boston's Museum of Fine Arts, Jun 1 - Aug 21, then onto Julie Collins Smith Museum of Fine Art at Auburn University, Sept 11 - Nov 4, and finally to the High Museum of Art in Atlanta, Dec 17 - Mar 12, 2006.

If the Gees Bend quilts are out of your price range, you might consider ordering copies of the books, The Quilts of Gee's Bend by Peter Marzio, Gee's Bend: The Women and Their Quilts, and the Quilts of Gee's Bend Journal by Annie Mae Young at www.amazon.com. An audio CD of Gee's Bend gospel music and video cassette documentary are available through the publisher, Tinwood Media of Atlanta, GA. www.tinwoodmedia.com/geesmain.html.

 
Events
THE ART OF RENAISSANCE WOMEN , Florence, Italy, October 2-5, 2005. Starting at $699 . Learn the art of independent travel as your inspirational guide, Phyllis Carrera, gracefully introduces you to one of the most beautiful and culturally rich cities in the world. Beginning at 16th century villa turned monastery hotel, you'll imagine yourself a Renaissance woman, using the her-story, art, and culture of the region to rebirth your body, mind, and soul. Click here for details.

Join Phyllis for Wine & Cheese at Salvatore Trattoria, 292 S. Atlanta St., Roswell, GA, Saturday, May 7, at 5:30 p.m. to learn more about The Art of Renaissance Women. RSVP to pcarrera@humanarts.biz or call 404-352-0340.




Click here to explore “A Journey…


When life gives you scraps make quilts.
Anonymous

 

 

 

The pieces I am, she gather them and give them back to me in all the right order. It's good, you know, when you got a woman who is a friend of your mind.
Toni Morrison

 

 

 

If the quilt is to come to life, if my life is to come to life, I must leave room for the unexpected.
Sue Bender

 

 

 

America is not like a blanket -- one piece of unbroken cloth, the same color, the same texture, the same size. America is more like a quilt -- many patches, many pieces, many colors, many sizes, all woven and held together by a common thread.
Jesse Jackson

 

 

 

Life is all about moving your patches around.
Sue Bender

 

 


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About the author and HumanArts™: After 24 years in education and corporate America, Phyllis Carrera risked it all to journey solo around the world. It was time to break free and rediscover her passion, power, and pure potential. She returned in 1998 with a deep commitment to guide others, both individuals and organizations, on their journeys toward wholeness. To learn more about Phyllis and HumanArts’™ coaching, speaking, and leadership and team development, go to www.humanarts.biz.

Curious about coaching? Call or send an email to schedule a complimentary 30-minute introductory session.

Copyright © 2005. Permission is granted to reproduce, copy, or distribute the HumanArts Connection as long as nothing is added, changed, or deleted, and this copyright notice is attached. The author is Phyllis Carrera, HumanArts™.